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- #Chopin scherzo 2 op 31 sheet music full#
- #Chopin scherzo 2 op 31 sheet music professional#
- #Chopin scherzo 2 op 31 sheet music series#
#Chopin scherzo 2 op 31 sheet music professional#
Who's Who - Professional Pianists on Piano World Member Recordings - Non Classical Pianist CornerĮVENTS! Piano Concerts, Recitals, Competitions.įun Stuff! - Parties, Tours, Projects & More.įorum Members Parties, Tours, Cruises, & M. MY NEW PIANO or KEYBOARD! - Share Your Story! (And no - in case someone might want to suggest it was intentional, a matter of "interpretation" - no way there are simply some glitches of rhythm.) This section lives on rhythm screw up the rhythm and (to me) there's nothing there to speak of.ĭigital Pianos - Electronic Pianos - Synths &a. I don't particularly like the Katsaris excerpt, especially because he botches the rhythm a little. Nor that their teachers never corrected it.īTW, need I say, Horowitz doesn't play it wrong. Nor can I imagine that they can't hear that what they're playing has no relation to what they've ever heard from any major pianist.
#Chopin scherzo 2 op 31 sheet music series#
All too often they're done as a quick series of I-don't-know-what's: "brrrrIP! brrrrIP! brrrrIP!" with almost no pause between them.
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#Chopin scherzo 2 op 31 sheet music full#
at 9:01 and 9:05) are very often done in a totally incorrect and terrible rhythm, as though the player doesn't realize that each of those "ba-da-da-DUM's" takes the time of a full measure's worth. Those are the only ways that the piece isn't very hard (no "IMO" needed here) - and that's even without getting into all the other difficult things about the piece.īTW - and unrelated to how hard the piece is, because this isn't really hard, or at least shouldn't be: I gotta believe that when people say that the piece isn't that extremely hard, they are either forgetting about this part, or not planning on doing it very well. (Almost all high-level players do.)ĭoing it with confidence and in a way that works (and hopefully actually getting the chords accurately) - that's very very hard. He doesn't do the rhythm in a literal way - how could he? - and in fact he doesn't make any pretense of trying to do that but he makes it work. Besides the danger of missing the "DUM's" (because of the leaps), there are the issues of doing the " Da-da-da's" clearly and in good timing, and finding a way to manage the rhythmically impossible (literally impossible) timely leap to the "DUM." This part is the main one that sprung to mind when I was talking about parts of the piece that are as "unforgiving" as anything in the 1st Scherzo.ĭoing the "bada Dadada DUM's" is extremely hard, and prone to screw-ups - and they can be highly revealing about technical deficiency or lack of confidence even when they're not screwed up. Andante teneramenteĬlassical Music Discoveries is sponsored by La Musica International Chamber Music Festival and consider supporting our show, thank album is broadcasted with the permission of Katy Solomon from Morahana Arts and Media.And then there's this. Since 2012, she has been a student of Bernhard Wetz at the Academy of Music and Performing Arts in Frankfurt.Ġ4. Since 2009, Gina Alice has been studying piano at the Academy of Music and Performing Arts in Frankfurt, as a junior student of Lev Natochenny's master class. Only three years later, she became a student of professor Irina Edelstein.
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Born in Wiesbaden, Germany, in 1994, to German-Korean parents, she started piano at age four.